Close Window


Click on these thumbnails for more Inner Moves images

Inner Moves1

Inner Moves2

Inner Moves3

Inner Moves4

Inner Mover5

Inner Moves6

Inner Moves7

Inner Moves8

Inner Moves9

Inner Moves10

InnerMoves11

Inner Moves12

Inner Moves13

Inner Mover14

Inner Moves15

InnerMoves16

Inner Moves17

Inner Moves18

Inner Mover19

Inner Moves20


Inner Moves segment - Artists of Novaballet

 

 

Photos: Natalia Perez

REPERTORY DETAIL

Choreography: James Jeon
Music: Moon Seok Chang
Costumes: James Jeon
Lighting Design: Lisa Weinshrott & Yeo Hoon
No. of Dancers: 14
Premiered: May 17, 2002 at the
Judy Bayley Theatre in
Las Vegas, NV by
Nevada Ballet Theatre

Staged for Novaballet by Kyudong Kwak

Lead Artist for this staging of Inner Moves was Heather Haar

Jeon
   
James Jeon    

“Asian music and dance are completely different from Western dance in spirit, rhythm, and harmony. In Inner Moves, dancers showcase contrasting personalities and, through their movement, a new form of dance is born.”
James Jeon

For a choreographer such as James Jeon, born in South Korea but spending most of his formative years in the United States, operating under a dual set of influences has been a way of life. His choreography has alwyas been experimental, but when he created Inner Moves, those dual influences came together in a balanced harmony of music and movement. Set to an original composition by contemporary South Korean composer Moon Seok Chang, the work bathes the audience in an atmosphere of sensuality and evocative emotion.

Conceived as a fusion of eastern movements working in tandem with the traditions of western classical ballet, this collaboration of traditional art forms results in a work that is contemporary both visually and thematically. Eastern dance, whether in emphasizing the visualization of inner feelings, or technical matters such as landing on the heel instead of the point of the foot, exists as a contrast to the athleticism of today’s classically trained dancer. Those contrasts are at the heart of Inner Moves, but they become balanced in a way that demonstrates the universality of dance.

Mr. Jeon sees modern life as mechanical and sometimes barren, and through Inner Moves he attempts to communicate the inner feelings of those living in this culture. By introducing intuitive notions to classical western traditions, while allowing the athleticism and artistry of ballet to influence eastern movement, he may well have created the appropriate vocabulary to accomplish this.


   
print